Thursday, October 10, 2013

The Prodigal MERE Returns!

Wow, it’s been a little over a year since my last entry. I swear I’ve been vigilant about my museum/gallery going and the lack of entries is in no way an indication of my passion, more of my laziness probably...

How else to restart this blog but an entry on a recent visit to the MoMA, happiest place on Earth? One early Sunday morning, I mustered the strength to climb out of bed and trek into the city for a solo dolo museum day, no more pancake/doughnut/greasy hashbrowns late Sunday mornings ugh.

Ivan Le Lorraine Albright. Woman. 1928
Albright's Woman, kind of reminds me of Francis Bacon

I decided to check out the American Modern exhibit. Critics have pointed out that the museum is heavily skewed/preferential towards European artists and this exhibit was supposed to be MoMA’s attempt at defending itself. To be frank, I thought it was a poor and weak defense. The exhibit showcased a few recognizable American artists (O’Keefe, Hopper, Sheeler), less renowned artists to fill in the gaps. There was no overarching theme, which I think could have been easily extracted. Industrialism, technology, isolationism, excess vs. minimalism, hello? The exhibit was disjointed and the only thing the artists had in common with one another was their nationality. 

Edward Hopper. Night Windows. 1928
Hopper's Night Windows, some voyeurism  

Finished the museum day with a stroll around the permanent collection, which never ceases to amaze me with its breadth and quality. 

A little Duchamp Bicycle Wheel action